The Delta Aquariids meteror showers finally inspired me and my fiance to try out a new telescope that’s been gathering dust in our living room since this past June.
These days, I mark very few thing on my calendar, but I did mark the meteor showers in fat red letters.
After twenty minutes of squinting into the contraption, we figured out that looking into the telescope paled when compared to relying on the human eye. As a result, we ended up in lawn chairs, heads bent ninety decrees, drawing imaginary lines as we star hopped across the sky.
Beyond the North Star, Big and Little Dipper, we vowed to study up on our future night maps to gain a broader insight into the language of the stars and, thereby, honor the majesty of our night sky.
In about a two-hour period, we spotted under a dozen shooting stars. Shooting stars, in actuality, are not shooting stars.
“Shooting stars, or meteors, are caused by tiny specks of dust from space. These particles burn up 65 to 135 km above Earth’s surface as they plunge at terrific speeds into the upper atmosphere, making the air glow as they pass.”
Reading the definition, I equate the phenomenon to the sky’s personal housekeeping practices and its changeless inclination to change. The process is akin to, for instance, letting go of an old piece of artwork, making room for a new one. It re-energizes and rids the room of stagnation, creates a clean slate and invites birth and new memories.
I was reminded of the paradox that if change signifies life then fighting change is … stagnation? Death? Imagine if we walked around in our baby booties for our entire lives? Ouch, that’s a pair of cramped feet. I suppose that’s how some people choose to live. I, actually, knew a middle-aged woman who still wore the same clothes she wore forty years prior. Single and alone, afraid of intimacy at any degree, she lived her life under a protective shell that warded out all degrees of hurt. Protective shells might keep you risk-free from the outside world, but inside their confines they limit the oxygen supply. Instead of having room to soak in the sunny and starry-lighted world to a point where it takes your breath away, over-protection can lead to living life on a sick bed. You have the proper apparatus to keep the heart pumping, but the equipment binds you to the bed.
Like it or not, change is a necessary part of life and maybe the more flexible we consciously become, the more we can accept the life cycle –birth to death – in everything, even a star. They say one day, albeit billions of years away, the sun and earth will one day die.
Unexpectedly, while we were finding our way around the finale of July’s night sky, I came to a state of awareness that helps me navigate our small orbit on earth. Day after day, summer to fall, the Big Dipper repositions and reminds me that I have no control over the natural flow of life. I can wish on an infinite array of lucky stars, but the truth is that all the faith in the world does not anchor life and halt its course to alter it to my desires; faith provides me the anchor to ride the wave of stardust.
Naomi Judd, American Country Singer, January 11, 1946 – April 30, 2022
Sometimes you cannot sing without strain. Fortunately, music is not infinite, but has a finite number of possibilities. In a similar vein, sing a new song filled with faith and hope that calm waters will carry you to the safety of home.
Last week, I wrote a blog about my big brother Mike. On his death anniversary, March 18, I was searching for a file and, wouldn’t you know it, I came across a journal entry I wrote on his 17th year death anniversary. It still bears truth today and tickles my faith fancy.
Below is an excerpt:
I won’t deny that when you were alive, I spent a lot of time fantasizing about a replacement brother. The kind of big brother who takes you places above ground and not underground. The kind of brother who views life as more than mere survival on desert terrain and, instead, unrolls an oversized blanket on a rich, varied and textured terrain generous with rose-smelling opportunities.
No doubt about it. We spent a lot of time in the mud hole: bickering, arguing and sometimes having a knock-down, drag-out fight. We landed in plenty of fox holes, too, where our prayers were “God Help!” Succinct ones, but as fervent as the long, formal prayers.
Seventeen years later, and I darn well know that if given the chance for a replacement brother or you, there is no doubt to the one I would choose. I attribute my choice to you. Buried under a mountain of hurt, you were one of the greatest men I’ve ever known. Not because you were handsome, strong, generous, compassionate, highly intuitive and intelligent and a war hero to boot, but because you knew that everything, no matter how utterly defective, stained, sinned or doomed, could root, grow and live under one condition: that it is planted in a bedrock of unconditional love.
Thank you for leaving me this bedrock of a legacy. To allow myself to be vulnerable, trust and carry the message tirelessly to those who suffer and those who need strength. Most of all, thanks for being my Angel Michael, right next to Archangel Michael, as I trudge this road of happy destiny.
Dear Big Brother, I hope I see you someday. Feel your arms around me again and see the twinkle in your eyes when you gently whisper, “Peace.”
Twenty years ago on March 8th, the towering rustic pine did not diminish my brother’s six-foot tallness underneath it. Alongside Mike, the sunshine glistened on the natural cork color of his Labrador mix, KO. The initials stood for “knockout.” In boxing, “a knockout (KO) is when a boxer stays down for a count to 10 from the referee, at which point the boxer loses the match to his opponent.” My brother borrowed the initials to name his dog, but they stood for a different kind of “knockout” — extremely attractive, striking, beautiful.
The tree on my property that framed KO and my brother together for the last time before my brother was gone did not weather the harsh winters and was beyond repair. I delayed the inevitable yard work for five years. Last spring, I finally hired tree removal professionals. I avoided watching the process and sought refuge in the kitchen on the other side of the house.
“Crack! Thump!” The fierce sounds cut through my iPod’s blaring music. After the tree fell and pounded its finale into the good earth, I stopped the music and soaked in the silence. In the sunlight’s stream of dancing dust particles, stillness, sadness, the mundane morning movement of the kitchen intermingled with the refrigerator’s hum. The digital clock’s glow. The overhead light’s buzzing whisper.
Two decades earlier on that ordinary Friday, March 8th, I walked into my kitchen. KO greeted me with an electrified wagging tale and slobbering mouth. Mike, bent in the corner, tinkered with the electrical socket. It was my brother’s modus operandi to drop by and randomly “fix” things. Many of the things he fixed, in fact, didn’t need fixing. A natural-born engineer, he loved to repair, rewire and rework household gadgets.
This time, like a kid opening a bag of early Easter chocolate eggs, rainbow-colored jellybeans and marshmallow Peeps, he beamed when he revealed a handful of brand-new gadgets.
“Wireless phone jacks! They go right into the power outlets. You just plug them in and you can have phones in every room now!” he explained.
Mike sounded as if he had just discovered a new cluster of stars in the galaxy, and I did not have the heart to tell him we didn’t need phones in every room nor did we have the money to purchase them.
As the afternoon waned, we roamed through the rooms testing the wireless jacks one final time. He promised me he would return with additional ones. I followed him and KO outdoors.
We were both raised Catholic. We never discussed religion, but for some strange reason I asked him if he had gone to confession during lent. Catholics are required to receive the sacrament of reconciliation or confession once a year and lent is “an especially penitential season.”
“No,” he said in a matter-of-fact tone as if he were reminding me that it was just another Friday afternoon. Suddenly, I realized he had not been a practicing Catholic for decades. He had escaped our Catholic upbringing without the slightest indication of guilt, remorse, regret or fret. He was who he was, an independent person who was not influenced by anyone or anything. I admired him for that, and that is when the pine tree framed him and KO permanently in my mind.
Two days later in my kitchen, poring over my Market Day order that I picked up at the children’s elementary school, Brother Paul called from my mother’s house. I heard her cries in the background. He broke the news calmly, “Mike’s in the hospital. He had a stroke.”
“Stroke? No way.”
We were about to enjoy a microwaved casserole with vegetables, a seamless dinner without guesswork or prep time that night. Counters clean. Floor washed. How could I have received this shocking news? Day after day, week after week, year after year, I made it a point to fold my family into the safety of complete calm of mundane Mondays.
I got off the phone while my emotions melted like the frozen dinner left on the spotless counter. In the children’s bathroom, I retrieved the TUMS bottle that Mike had left behind on his last visit. My brother suffered from acid reflux all his life and always carried TUMS.
“He’ll be back. He needs his TUMS.” I pep talked myself until March 18 in 2002, when I learned of his death at the veteran’s hospital. Sixteen months after losing our dad to emphysema, I intercepted my brother and mom at the hospital’s elevator, forced to break the unbearable news.
Since 2000, after my dad died, my family’s fate is a permanent eclipse season.
TUMS, phone jacks, easy-to-prepare frozen dinners, no matter how tidy things are, even on spring’s cusp, I cannot shake death’s dirt off my heels. The images of Russia’s invasion in Ukraine brings the reality front and center, an attempt to dissimilate mundane Monday’s electrical circuit.
Fortunately, it isn’t a total solar eclipse. In the remaining light, faith illuminates our path. We reckon with our fate, one that is without a clear sense of control or direction. We muster enough strength to limp along on unsteady feet, consume the quiet circumfluent air, dependable light bulbs overhead.
Some experts say that occasionally it’s necessary to “take a break” from grief. I learned this firsthand during a frigid December 2020 Christmas day, 36 days after I lost my beloved 26-year-old son who died by suicide. My then 24-year-old daughter, Alexandra, returned home during this time, and we mourned together. Lounging in the living room in shabby sweatpants and tops, noshing on a conveyor-belt assortment of Trader Joe’s chips and other salty and sweet snacks that my dear childhood friend Anna supplied, we insulated ourselves, cranked up the heat indoors as the temperatures dipped to below freezing outdoors. Alexandra’s soft, furry slippers with funny smiling sloth faces, the ones that arrived a month prior in a condolence gift box from her former college roommate, Suzanna, felt like they were out of sync with the preceding extreme 36 days, oozing with despair, agony, regret, remorse and anger. We symbolized the walking wounded. Drained and hollow as if we were toilet plungers.
Who would believe that only a year prior, we were in New York City’s West Side in a beautiful church singing Christmas carols as if we were Carnegie Hall performers? Three hundred and sixty-five days later, half eaten tubs of white paper take-out food containers brimming with Chinese dumplings, noodles, fried rice and legions of lo mein lined the coffee table, our designated sanctuary, the view outside obstructed by the drapes drawn closed.
My daughter and I spent about twenty minutes scanning for TV channels to watch, searching for something to numb the pain. I finally surrendered to Alexandra’s request to watch The Marvelous Mrs. Maisel, especially since she had never seen it before. Before the tragedy, I was The-Marvelous-Mrs.-Maisel loyalistsince its premiere in 2017. If you are unfamiliar with the series, it opens in 1958 and ends in the early 1960s and centers around Miriam “Midge” Maisel. Although her role that begins as a happily married woman with two children changes, chasing her stand-up comedy dreams and adhering to her affluent New York City lifestyle remain constant.
After the tragedy, I was reluctant to watch The Marvelous Mrs. Maisel because I felt it was something that aligned with a “happy-people’s” existence. Not only did we end up watching the episodes of the new third season that Christmas, but we watched the previous two seasons as well!
There are so many things in the show that resonate with me. For starters, a lot of the show is filmed in New York City’s Greenwich Village, a hotbed of stand-up comedy. “The epicenter of the city’s 1960s counterculture movement” is by far my favorite place in the world. Even now, whenever I go there, the young heartbeat I feel in the village lifts my old, worn-out spirits. To me, this is the epitome of America, for the most part, at its best. The village is more than a melting pot. It is a pot of gold, laden with people from all walks of life. The important thing is that the village really is a village because it encourages free expression. If you are bullied anywhere else in the world for any reason, the best therapy is to spend a little time here. Although you may appear outwardly very different from others around you, the sense of belonging is inherent; there tends to be a feeling of recognition in the air. In fact, the village is where I enrolled and participated in stand-up comedy workshops in the 1980s and experienced my own marvelous, albeit short-lived, show biz stint.
Anyway, watching The Marvelous Mrs. Maisel, f-bombs and all, saved our souls that fragile holiday season of 2020 and gave me faith knowing that although my laugh had lost a lot of its carefree boom, its flame had not faded.
So, this brings me to a very important date, February 18, 2022: season four of The Marvelous Mrs. Maisel. From the minute I heard about the new upcoming season,I was eager for its long-awaited arrival, like a kid getting his or her braces removed after walking around for two years with the metal invasion in their mouths.
As is, the new, season four, series rolls out two one-hour long episodes at a time. I planned to watch one hour of the show on Friday and the other hour on Saturday. Initially, I was timid to hit “play” because the minute I saw the old, familiar characters, my heart tumbled as I recalled the unbearable swords of circumstances that transpired in November 2019 and how the show helped me cope. Nonetheless, I hit the forward button, and one hour led to two. I was hooked from the beginning to the end of both episodes.
If you can get past the f-bombs and a few select scenes that some viewers may find inappropriate (nudity, profanity, alcohol, drugs and smoking, adult themes), the first two episodes are one big ode to the meaning of opposites. Free expression and individual voice versus repression and suppression. The importance of a financial framework versus the desire to pursue art as your true calling in life. And so many other things that call to mind the breadth of Greenwich Village, and its ability to tug hard at your heart strings and awaken your soul that was likely lost about the time your identity was wiped out when you understood and accepted the untruth behind the social conditioning of, “Big girls or big boys (especially) don’t cry.”
The first two episodes of season four of The Marvelous Mrs. Maisel touched upon nearly every tenet of existentialism and so much more. Miriam, the main character, is ballsy and brash and bold and is going to be heard, damn it, no matter what, and turn over convention. Subsequently, though, she’s not about to part with her hoity-toity upper west side New York City tastes either. All the while, she’s trying to rise up again from a rubble of failures and secure her share of the American Dream.
What’s happening in the show at its core, synonymous with the Greenwich Village vibe, is that so much that is not talked about and kept taboo unhinges and revolts. It can no longer shut up. It cannot be shutdown. It needs to be spoken, heard, not judged or erased.
It needs the human seal of “I see you” approval that we are all desperate for. My once alive son was a good example of wanting to be seen, heard, appreciated, in spite of how his differences made him feel separate from the rest of the world.
It’s as simple as that.
What fits in with this overall “fitting in” theme is a book that I’ve just finished reading Wintering, the power of rest and retreat in difficult times by Katherine May (2020).
The author writes about her mental breakdown at 17-years-old and, after the experience, she talked about it and talked and talked. She continues the story as she writes:
“I am aware that I fly in the face of polite convention in doing this. The times when we fall out of sync with everyday life remain taboo. We’re not raised to recognize wintering or to acknowledge its inevitability. Instead, we tend to see it as a humiliation, something that should be hidden from view lest we shock the world too greatly. We put on a brave public face and grieve privately; we pretend not to see other people’s pain. We treat each wintering as an embarrassing anomaly that should be hidden or ignored. This means we’ve made a secret of an entirely normal process and have thereby given those who endure a pariah status, forcing them to drop out of ordinary life in order to conceal their failure. Yet we do this at great cost. Wintering brings about some of the most profound and insightful moments of our human experience, and wisdom resides in those who have wintered.“
Okay, so what I’ve realized about myself now is that, as opposed to Miriam, I became a “good girl” and discarded the rebel status that I initially strived toward. This outcome, I found out 35 years later, can be a consequence of living a so-called sober, so-called adult life. It’s not a bad thing that I’m no longer the firecracker Miriam is and, quite simply, the fight in me now is, for the most part, exhausted.
But the thing about grief is that it has forced me to make a place for it. It is locked in me, next to my memories and my hopes and dreams. In the process, grief has peeled me to the core. So now I am left with my core and me. I don’t have the strength nor burning desire to be a rebel anymore, but my inner voice says that I don’t want to keep hiding anymore either. I’m done with listening to all the blood-hungry critics in the world that managed to seize my brain and ferment it. I keep hearing the song, “Kill the voices” on the radio.
My son had lost his ability to “kill” those voices that erased him. So he did it the best way he knew how, impulsively and brutally, leaving us spewed like squashed roaches in the aftermath.
All the more reason that I’m not keen on too many opinions and certainly those that come from pulpits, real and imagined. I’m not keen too much on my own opinions either, because I found out the hard way, how many times I am more wrong than right.
One thing that I am keen on is hearing Midge’s voice, f-bombs and all. At the end of the day, the story really is about an outspoken woman who knows her worth. And it is clear in the show that women have to work twice as hard to succeed. In turn, if others give her a chance to tell her truth, maybe it will spread beyond places like the village where she performs stand-up comedy. Maybe, too, we can all start learning the impossible art of listening for the sake of hearing, not changing, ignoring or stifling; for the sake of an “I see you” universal nod.
So, after watching the first two episodes of season four last Friday night, I laid down in my bed in a flood of tears that was as surprising as a drain that bursts in the bathroom in the middle of the night. I realized how Mrs. Maisel lends her voice to me right now, because I’ve fallen so far inside myself, I don’t know if I can muscle my way out unscathed. I don’t know if I have the courage. I don’t know if I can kill the voices, or if they have killed me, metaphorically instead.
In the interim, I am trudging through this week, waiting for Friday to hear the voices and the antics that not only give me comic relief and, if I am lucky, grief relief, but also a channel where I imagine I am in my twenties again. It was during a time when I orchestrated my world so easily in a leopard top and black rimmed glasses, my voice booming into the microphone loud and clear, laughter rolling through like a seamless tide rolling in to cleanse the sediment on the crusty shoreline.